2025 AATE National Conference
July 23-26, 2025


                             
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MASTER CLASS A: Viva La Puppet: The Art & Science of Puppetry! 

Presenter: Michelle Zamora
Wednesday, July 23rd from 12-3pm 

$60 per ticket 

Join renowned puppet master Michelle Zamora and discuss the art of puppetry, storytelling, and her project The Throwaways a community-based play focused on the impact of parental incarceration currently being workshopped at Clevland Play House as part of their Family Theatre series. Learn to conceptualize your own story and create puppets that can bring it to life!
The Cleveland Play House Family Theatre program focuses on bringing adverse childhood events (ACES) to light is a gentle way that begins a dialogue on resiliency and healing.

Michelle Zamora is the CEO + Creative Director of Viva La Puppet, LLC. In 2000 she began this puppet journey while getting her BA in Theater at Cal State- L.A. In 2014 she formed the LLC with her husband Matias, who shares her vision for a community of dedicated artists working to bring creative projects to life through Puppetry. Originally from Brownsville, Texas she discovered her love of puppets at an early age creating humanettes out of her dolls, stop-motion VHS videos with her sister, and miniature people out of clay. What started as a childhood passion turned into a company that works to elevate the art form of puppetry into a fresh new innovative direction.
She worked on set for Zedd + Katy Perry’s 365 video, lead the TRUTH puppet campaign with 72 and Sunny (2019 Super Bowl commercial), puppeteered with Terry Crews for Old Spice, and managed/performed the Funner than Water ad for Vitamin Water. She co-directed Har Mar Superstar’s Restless Leg puppet video with Warren Fu on the streets of New York. Other fun projects include Rick & Morty’s Butthole Ice Cream stop-motion [adult swim] ad, giant puppets for Bob’s Burgers Live at The Orpheum, underwater puppet collab with Andrew Thomas Huang, Snoop Dogg puppet for California Roll music video w/ Pharrell + Stevie Wonder, and shadow puppets for The Pee Wee Herman Show-Live on Stage! Michelle also puppeteered and voiced Waffles on the Netflix hit series “Waffles + Mochi” produced by Michelle Obama. Viva La Puppet celebrates life through inanimate objects and brings together great people to create magical moments with one puppet at a time. Long Live the Puppet® 


MASTER CLASS B: Theatre and Community Voices; Tackling ACES and Strengthening Communities Through Their Own Stories

Presenter: José Cruz González & Eric Schmiedl
Thursday, July 24th from 1-4pm

$60

Join internationally renowned playwright José Cruz Gonzales & award-winning playwright Eric Schmiedl discuss their latest collaboration The Throwaways a community-based project focused on the impact of parental incarceration currently being workshopped at Clevland Play House as part of their Family Theatre pillar of education. The Cleveland Play House Family Theatre program focuses on bringing adverse childhood events (ACES) to light is a gentle way that begins a dialogue on resiliency and healing.

José Cruz González's plays include The Throwaways (Cleveland Play House), If by Chance (South Coast Repertory), The Extraordinary ZLuna Captures the World (DCPA Theatre Company), Under a Baseball Sky (Old Globe), American Mariachi (14 regional theater productions), Sunsets & Margaritas (DCPA Theatre Company), September Shoes (Geva Theatre), The San Patricios (PCPA), Among the Darkest Shadows (Wharton Center for Performing Arts), The Sun Serpent (Childsplay).  In 2022, Mr. González was selected to the Kennedy Center’s Next 50, a new initiative celebrating cultural leadership with 50 trailblazing leaders and organizations. He was also a grantee of the 2021 ReImagine: New Plays in TYA to support the development of The Wondrous Adventures of Pia Sandía. The Astronaut Farmworker was a 2016 PEN Center USA Literary Award finalist.  He is a member of the College of Fellows of the American Theatre, John F. Kennedy Center for the Performing Arts, Professor Emeritus at California State University Los Angeles, The Dramatists Guild of America and TYA/USA, and a board member of the New Harmony Project, dedicated to a desire to support stories of hope, optimism, and the resiliency of the human spirit.

Eric Schmiedl is a native of Cleveland, Ohio, and a graduate of Kent State University and the University of Hawai’i. As a theatre artist he is inspired by the intersection of cultures and stories. He has worked with theatres around the country including the Denver Center for the Performing Arts, the Cleveland Play House, the Alabama Shakespeare Festival, Cleveland Public Theatre, Karamu House, the Idaho Shakespeare Festival, the Oregon Children’s Theatre, the Honolulu Theatre for Youth, the Lantern Theatre, and Great Lakes Theater. He has partnered with community organizations like the Cleveland Treatment Center to foster performing arts experiences in underserved communities. Eric is the recipient of a grant from the Doris Duke Charitable Foundation, a Creative Workforce Fellowship, an Aurand Harris Fellowship, and a Sloan Foundation Commission. His plays have been awarded three Edgerton Foundation New American Play Awards. His play My Hemisphere, a partnership with his wife and storyteller Adaora Nzelibe Schmiedl, was a National Playwrights Conference finalist at the Eugene O’Neill Theater Center in 2020 and 2021. In 2023 he embarked on a collaboration with internationally acclaimed director Liesbeth Coltof, the 10CHILDREN program, and the Cleveland Play House to create a new theatre piece based on the experiences of children in three Cleveland neighborhoods. Eric also began a 2023 tour of the innovative poetry/theatre piece What We Learned While Alone; Global Voices Speak to the Pandemic which premiered at the National Academy of Sciences in Washington, D.C. He is currently collaborating with playwright José Cruz González and the Cleveland Play House, directing José’s new play exploring the effects of incarceration on families. He is also collaborating with Cleveland-based artists Calil “Just C.O.S.” Cage and Tina D. Stump on a new play based on the Cleveland Buckeyes and their historic 1945 season in the Negro National Baseball League. And he is developing a new musical entitled, Infamous, with composer David Owen Michaels about the creation of the Freedmen’s Bureau. Eric has taught playwriting and theatre history at theatres, colleges, and universities including Kent State University, Spalding University, Cleveland State University, Case Western Reserve University and Baldwin Wallace University. Eric is a proud member of Dobama Theatre’s Playwright’s Gym and of the Cleveland-based folk group The Welcome Table.


MASTER CLASS C: Breaking, Bridging, and Building: Uncovering Histories to Progress the Field

Presenter: Shavonne Coleman and Meriah Sage
Friday, July 25th from12:45-3:45pm

$60 per ticket

This masterclass will explore the transformative power of reclaiming hidden histories in Theatre for Young Audiences, amplifying structurally marginalized identities, and challenging systemic inequities. Participants will learn about and engage with theatre practices inspired by the artists and practitioners highlighted in the Hidden and Erased BIPOC History Project, delving into Theatre for Young Audiences' past, present, and potential futures.

We will share our journey of restoring erased narratives and bridging the past with the present to envision a more inclusive and equitable citational future. Through interactive activities, dialogue, and storytelling, participants will reflect on their personal roles as artists and educators in reshaping the field, centering community, equity, and collective action.

This space is designed to activate our hopes, plans, and inspirations—not only to use theatre as a tool for healing and connection but also to transform how we engage with and document history.

This session invites anyone interested in the intersections of theatre, history, and social justice—whether you’re exploring the field, teaching our history, refining your practice, or seeking new ways to create meaningful change.

Shavonne Coleman (she/they) is a Detroit-based fabulist, teaching/performing artist, director, writer, and dramaturg specializing in applied theatre. They are currently an Assistant Professor at the University of Michigan and continue to work across community, artistic, and educational spaces. Their recent past includes serving as the Director for Theatre for Dialogue and Assistant Director for Transformative Learning at University of Texas, respectively. They gained recognition for their work in transformative learning while using theatre techniques in Educational Development.

Meriah Sage (she/her) is an Associate Professor in the Applied Drama and Theatre for the Young MFA/MA Program, and Director of Theatre at Eastern Michigan University. She is a certified teacher in the Michael Chekhov technique through the Great Lakes Michael Chekhov Consortium (GLMCC). Meriah has worked as an assistant professor/Director of Theatre at University of Findlay (Ohio), Education Director at the Auditorium Theatre (Chicago), Artistic Director of Theatre for Young Audiences at the Apple Tree Theatre (Chicago), and as a conference leader with Lincoln Center Institute’s Teaching Artist Mentoring Project.


MASTER CLASS D: Accessibility Design: A Hands-on, Artistic Approach Toward a More Inclusive and Accessible Theatre 

Presenter: Talespinner Children's Theatre
Sunday, July 27th from 12-3 pm

$60

Want to incorporate sensory friendly/relaxed performances? Provide access services and tools for blind and low vision audience members or d/Deaf or hard of hearing patrons? How about all of the above! This hands-on master class will introduce participants to a myriad of accessibility tools that can be implemented for productions with a variety of budgets, building foundational techniques toward comprehensive accessibility design, with materials to keep for future use. 

Heather Utsler-Smith is a proud graduate of Bowling Green State University, where she earned her bachelor's degree in Theatre, with a dual specialization in Acting/Directing and Youth Theatre/Puppetry, and also Eastern Michigan University where she earned her Master of Fine Arts degree in Applied Drama and Theatre for the Young, as well as a Master’s Certificate in Arts Entrepreneurship. She serves as the Executive Artistic Director of Talespinner Children’s Theatre after having previously worked with theatres throughout Ohio and Michigan, and having served as the Performing Arts Director for the Hockomock Area YMCA in Massachusetts where she directed more than 60 productions. In her first two years with Talespinner Children’s Theatre, she has introduced comprehensive accessibility design to ensure that tools for patrons who are Deaf, hard of hearing, blind, low vision, Autistic, and/or experience sensory processing disorders are fully integrated into the conception of every production. She has served as a consultant in theatrical accessibility design for such organizations as Borderlight Fringe Festival, the Center for Applied Theatre and Active Culture, and the Valentine Theatre, and has designed accessibility tools for such shows as Still Life with Iris, Much Ado About Nothing, James and the Giant Peach, Richard III (EMU), Aponibolinayen in the Sky: A Tale of the Philippines, The Snowy Day and Other Stories by Ezra Jack KeatsHook and Smee, Stellaluna, A Light in the Night, Chicken Story Time, School of Fish, Last Stop on Market Street, The Toothpaste Millionaire, Polkadots: The Cool Kids Musical, and A Year with Frog and Toad (Talespinner). She regularly offers workshops in accessibility, and is working to train a cohort of passionate designers and artists who will advocate for a more accessible theatre community nationwide. 


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